- Ring22
- Stone8
- Setting5
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Three Stone Paraiba Tourmaline Ring 0.81 Ct., 14K White Gold
Wax Polymer Replica
Model of your Completed
Setting Design!

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Item ID: | K3533 |
|---|---|
Dimensions (MM): help | Length: 7.02 Width: 5.05 Height: 3.74 |
Weight: | 0.81 Ct. |
Color: help | Bluish Green |
Color intensity: help | Light |
Clarity: help | Eye Clean |
Shape: help | Oval |
Cut: | Mixed Brilliant |
Cutting style: | Faceted |
Enhancements: help | No Enhancement |
Origin: help | Mozambique |
Per carat price: help | $1,200 |
In a quiet of light and silver, The Natural Gemstone Company presents an engagement ring that reads like a poem written in facets and fire, the centerpiece a transparent bluish green paraiba tourmaline of zero point eight one carat, an oval of ocean and meadow, sitting with measured grace at seven point zero two by five point zero five by three point seven four millimeters, cut in a mixed brilliant style that marries old world charm and modern precision, eye clean at normal viewing distance, with a delicate light color saturation and an excellent polish, untouched by enhancement, born of the mineral riches of Mozambique, surrounded by a chorus of white half moon shaped lab grown diamonds weighing approximately zero point four zero carats with clarity grades VS1 and VS2 and color grade E, joined by two strings of white round natural diamonds weighing approximately zero point three three carats each with clarity VS and color grades F and G, all intimately embraced in a band of platinum nine hundred fifty, a setting that is as much an instrument for light as it is a promise to last.
Close to the gem the work of the cutter becomes a language, each facet a syllable in a sentence of brilliance, the mixed brilliant cut translating the oval form into a choreography of tables and crowns, of elongated facets that gather the near sea green and refract it into breath and pause, the crown facets trimmed with exacting symmetry so that each return flash answers another with the precision of tuned bells, the pavilion facets meeting at a point that anchors the gem to gravity and to glow, the facet junctions cut and aligned so that no whisper of misalignment steals the conversation from the light, the result a scintillation that moves like ripples across water when a breeze lifts the surface, the eleven facets on the crown and the myriad pavillion facets bridging the gem into a living lantern, the mixed brilliant cut chosen to marry depth of color with maximum brilliance and to allow the paraiba tourmaline to sing in both soft candlelight and noon clarity.
Around that central song the diamonds are tuned to harmonize, the half moon shaped lab grown stones cut with crisp shoulders and smooth curved facets so that they sit like crescent moons cupping the heart of the ring, these E color white diamonds carrying a cool, clear light that frames the paraiba and lifts its bluish green into a place of luminous contrast, the round natural diamonds along the shoulders cut to very consistent proportions, each table and bezel facet trimmed to reflect a steady rhythm of stars, clarity VS granting a purity to the beams while the color grades F and G add a gentle warmth that keeps the overall palette from growing too clinical, the pairs of round diamonds mirror each other in size and facet alignment so that when the hand moves there is a procession of tiny flashes, a measured collar of light that escorts the central gem on every turn, the entire diamond setting speaking to a gem cutter and setter who regarded each stone as a note in a well composed sonata.
The metal that holds this music together is platinum nine hundred fifty, a dense, white field polished to a mirror finish that does not compete but rather reverberates, the prongs cradling the paraiba with exacting geometry so that the stone sits with equal exposure to sky and light, the prong tips rounded and flattened in precise balance to secure while letting every facet breathe, the gallery and shoulders milled to catch streams of light and to guide them to the gemstone, the pavé work executed with consistent bead size and spacing so that the diamonds sit in a channel of continuity, the polish described as excellent is not merely surface smoothness, it is the final act in a chain of measurements where angles meet angle and where the smallest polishing stroke can change the way light returns, this ring is a conversation between cutter, polisher and setter, each one following the geometry laid out by the gem, each one answering to the paraiba tourmaline with tools and touch that respect the stone and the promise it will one day keep.
To wear this ring is to carry a landscape of light on the hand, Mozambique whispered in color at the center, no enhancement to interrupt the honesty of the crystal, a mixed brilliant cut that translates nature into an architecture of facets, diamonds trained to frame and to magnify, a platinum nest that endures, and the unmistakable assurance of The Natural Gemstone Company that this piece was conceived with both technical mastery and a tenderness for sentiment, for the way a facet can catch a smile and return it, for the manner in which a precisely cut pavilion invites a gaze to linger, for the knowledge that beauty when measured by exact angles and finished with care becomes a living heirloom, this ring waits like a promise, patient and luminous, ready to begin the long work of memory.









































