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5.88 Ct. Green Cabochon Jade from Burma (Myanmar)
This loose stone is available to ship now
Item ID: | K21312 |
|---|---|
Dimensions (MM): help | Length: 13.98 Width: 11.91 Height: 3.8 |
Weight: | 5.88 Ct. |
Color: help | Green |
Color intensity: help | Medium |
Clarity: help | Not Applicable |
Shape: help | Oval |
Cut: | Cabochon |
Cutting style: | Cabochon |
Enhancements: help | No Enhancement |
Origin: help | Burma (Myanmar) |
Per carat price: help | $24 |
This specimen is a single opaque 5.88 carat oval green jade, with precise dimensions of 13.98 x 11.91 x 3.80 mm, presented in a classical cabochon cut. The cutting style emphasizes a smooth, convex crown and a gently domed profile, producing a continuous field of color across the surface, and the overall outline has been executed with careful symmetry to preserve weight while maximizing optical appeal. The cabochon exhibits medium color intensity, a consistent green hue with subtle internal texture rather than discrete crystal facets, and an excellent polish that produces a bright, even surface reflection. There is no enhancement, the material is natural from Burma Myanmar, and the combination of weight and dimensions yields a pleasing depth to the dome, with the 3.80 mm height translating to a robust tactile presence relative to the oval face. For technically minded buyers, the weight to size ratio indicates efficient preforming and conservative waste during cutting, preserving intrinsic material value while producing a stable, wearable shape suitable for a range of settings.
The craftsmanship is evident in both proportion and finish, and the lapidary choices reflect an emphasis on structural integrity and surface quality. The cabochon was preformed to respect the stone grain and to avoid stress concentrations that can occur when removing significant material from jade, and the finishing sequence progressed from coarse grinding through progressively finer abrasives to a final polish achieved with diamond paste or cerium oxide depending on lapidary preference. The polish is described as excellent because the surface shows uniform specular highlights and minimal microabrasion under normal viewing conditions, which optimizes the stone for close inspection and photography. Color distribution is even across the oval plane with minor, natural mottling that contributes to depth rather than detracts from uniformity, and internal texture is consistent with natural Burmese material, showing a compact, interlocking microstructure that scatters light diffusely in the absence of transparency. The lack of enhancement means that color and texture are intrinsic to the material, and the cabochon form both conceals and celebrates the opaque character by creating a luminous, saturated green field that reads consistently in gemological evaluation and in finished jewelry.
Beyond the technical specifications and the precise execution of cut and polish there is a narrative resonance tied directly to the stone color and clarity, a romantic backstory that complements the empirical description. The medium green hue evokes the first unfurling of leaves in a temperate spring, the moment when a landscape moves from reserved dormancy to visible promise, and in that chromatic analogy the stone becomes an emblem of renewal and of commitments just beginning to take shape. The opaque clarity, rather than limiting expression, suggests a quiet interiority, a depth that is sensed rather than seen, and in wearable form the domed cabochon invites touch and close proximity in the way a river smoothed pebble invites a fingertip. In certain Burmese traditions jade served as an exchange between families and lovers, a compact, enduring token that signaled intent and reliability, and this specimen follows that lineage with natural material provenance and with a cut that prioritizes longevity and daily wear. At The Natural Gemstone Company we present this cabochon not merely as a quantified object defined by carat and millimeter but as a calibrated artifact, where medium color intensity, excellent polish, controlled dome height, and unenhanced Burmese origin together form a coherent narrative device for design and meaning, ready to be set into a bezel, used as a pendant focal, or entrusted to a bespoke setting that will honor both technical merit and sentimental purpose.




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