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4.36 Ct. Cabochon Tiger's Eye from Ceylon (Sri Lanka)
This loose stone is available to ship now
Item ID: | K27278 |
|---|---|
Dimensions (MM): help | Length: 10.02 Width: 10.02 Height: 5.61 |
Weight: | 4.36 Ct. |
Color: help | Golden Brown |
Color intensity: help | N/A |
Clarity: help | Not Applicable |
Shape: help | Round |
Cut: | Cabochon |
Cutting style: | Cabochon |
Enhancements: help | No Enhancement |
Origin: help | Ceylon (Sri Lanka) |
Per carat price: help | $10 |
This specimen is a single, opaque, round golden brown tiger eye weighing 4.36 carats, with exact dimensions of 10.02 by 10.02 by 5.61 millimeters, and a classical cabochon profile. The cut is a well proportioned domed cabochon, optimized to display a sharp chatoyant band across the crown. Origin is Ceylon Sri Lanka, and the stone is confirmed to have no enhancements. The polish has been graded excellent, yielding a high surface luster that accentuates the parallel silica fibre structure which produces the characteristic eye. For buyers seeking technical specifics the weight to dimension ratio indicates a dense, well polished material with minimal internal porosity, contributing to consistent reflectance and a durable surface for everyday jewellery settings.
Technically the cabochon geometry warrants close attention to dome height and fibre alignment, because chatoyancy in tiger eye is a directional optical phenomenon. The dome height of 5.61 millimeters on a 10.02 millimeter diameter yields a height to diameter ratio of approximately 0.56, which is relatively high and ideal for concentrating the cat s eye effect into a narrow, intense band. During cutting the fibre orientation was aligned concentrically to the round outline, producing a central band that tracks the crown at its zenith, rather than dispersing toward the edges. The cutter employed incremental polishing grits to achieve the excellent polish grade, finishing with ultra fine abrasives to preserve sharpness of the chatoyant line while eliminating micro scratches that would otherwise diffuse light. The result is a crisp, mobile eye that translates across viewing angles with minimal loss of definition.
Colorally the stone shows a warm golden brown palette with medium to dark tone and moderate to high saturation in the golden band region, and richer brown in the surrounding body. Because tiger eye is essentially a pseudomorph of silica after asbestos related fibres the optical interplay of translucent golden fibres against a denser brown matrix creates a stratified appearance rather than a single uniform hue. The unenhanced nature of this piece means the color is natural and stable, and under different light sources the band shifts subtly from bright golden yellow under daylight and cool white light to deeper amber under incandescent light. The overall translucency is effectively opaque except in the immediate perimeter where back scatter can impart a faint warm glow, and the excellent polish improves specular reflections which complement the chatoyant striping for maximum visual contrast.
When set in jewellery the golden brown tonality of this tiger eye provides versatile colour harmonies across a wide range of skin tones due to its intermediate hue and high chroma in the chatoyant band. On warm undertones with yellow or golden bases the stone will visually integrate with the skin tone, reinforcing natural warmth and creating a cohesive appearance when paired with yellow gold or rose gold. On olive complexions the golden band provides a brightening effect by reflecting warm light back onto the skin surface, reducing apparent sallowness and increasing perceived vibrancy of adjacent gemstones or metalwork. On cool or pink based fair skin the contrast is aesthetically striking, the deep brown body framing the lighter complexion while the golden eye introduces warmth and dimension, which works exceptionally well in minimalist white metal settings where the stone becomes the primary chromatic focus. For deeper skin tones the high saturation of the golden band reads as luminous against the skin, providing a distinct focal point without overpowering the overall visual field, and paired with either yellow gold or polished silver the chatoyancy maintains a strong legibility from a distance.
From a mounting and craftsmanship perspective the geometry and optical behavior of this cabochon inform several recommended approaches for setting and finishing in bespoke jewellery. Given the elevated dome height and mobile eye we recommend a bezel setting with a low to medium profile wall to protect the crown and to secure the perimeter without obscuring the band, and when a lower silhouette is required a partial open back bezel can reduce visual bulk while preserving the chatoyant display. Prong settings are feasible with careful prong placement around the lower slope to avoid interrupting the band at the dome apex, and custom gaskets or seat liners can accommodate the 10.02 millimeter diameter to minimize movement. Metal selection should take into account the desired contrast and perceived warmth, with 18 karat yellow gold enhancing the golden saturation, rose gold softening the contrast for a vintage look, and rhodium plated white metals creating a modern high contrast effect. The Natural Gemstone Company presents this tiger eye as a technically superior cabochon from Ceylon suitable for connoisseurs and designers who value precise cutting, natural color integrity, and uncompromised polish, and we can provide additional lapidary notes or mounting templates on request to facilitate secure, visually optimized settings.




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